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The Sound of Music at Cork Opera House Earns Five-Star Rave Reviews in Landmark 170th Anniversary Production

A new production of The Sound of Music at the Cork Opera House has received five-star reviews from critics, with The Irish Times praising the 'ecstatic' performances and the production's skilful balance of joy and historical gravity. The show, directed by Davey Kelleher and running until 23 August, forms a centrepiece of the venue's 170th anniversary celebrations. Audiences have responded with equal enthusiasm, with strong advance bookings suggesting the production will be one of the summer's most talked-about theatrical events.

Conor BrennanWednesday, 29 July 202622 views
The Sound of Music at Cork Opera House Earns Five-Star Rave Reviews in Landmark 170th Anniversary Production

The Sound of Music at Cork Opera House Earns Five-Star Rave Reviews in Landmark 170th Anniversary Production

The Cork Opera House's new production of The Sound of Music has been met with rapturous critical and audience acclaim since opening last week, with reviewers awarding it five stars and praising it as one of the finest stagings of the beloved Rodgers and Hammerstein classic to be seen in Ireland in years. The production, which runs until 23 August 2026, is the centrepiece of the venue's 170th anniversary season and features a cast of exceptional quality led by Wendy Carr as Maria and Matt Blaker as Captain von Trapp.

Background

The Cork Opera House has been a cornerstone of cultural life in Munster for 170 years, surviving fire, economic downturns, and the upheavals of Irish history to remain one of the country's most beloved performance venues. Its anniversary season was always going to be a statement of intent, and the decision to stage The Sound of Music β€” one of the most technically demanding and emotionally resonant musicals in the repertoire β€” reflects the ambition that has characterised the venue's programming under its current leadership.

Director Davey Kelleher, working with musical director Cathal Synnott, approached the production with a clear-eyed understanding of both the show's enduring appeal and its potential pitfalls. The Sound of Music can easily tip into sentimentality, and its historical backdrop β€” the Nazi annexation of Austria β€” demands a degree of dramatic seriousness that sits in tension with the show's more exuberant musical numbers. Kelleher's achievement has been to hold these competing demands in productive balance.

The set design by Pai Rathaya, built by Realtra Productions and Costello Engineering, uses curved arches to evoke both the Austrian Alps and the interior spaces of the von Trapp household, creating a visual language that is simultaneously grand and intimate. The costume design by Joan O'Clery has been praised for its period accuracy and its ability to distinguish the show's many characters clearly even in large ensemble scenes.

Key Developments

The Irish Times review, published on 27 July, awarded the production five stars and described the performances as 'ecstatic', singling out Wendy Carr's Maria as a portrayal of rare emotional intelligence β€” warm and funny in the show's lighter moments, genuinely moving in its more serious passages. Matt Blaker's Captain von Trapp was praised for avoiding the stiffness that can afflict the role, finding the character's humanity without sacrificing his authority.

Majella Cullagh as the Mother Abbess delivered what several reviewers described as the production's most powerful single moment in her rendition of 'Climb Every Mountain', drawing a standing ovation at the performance attended by critics. The ensemble, which includes Caitlin Anderson as Liesl, Ross Scanlon as Max Detweiler, and Lizzie Wofford as Elsa Schraeder, was praised for its cohesion and energy.

The production runs until 23 August, with tickets priced between €35 and €50. Accessibility performances include an Irish Sign Language interpreted show on 8 August and a relaxed performance on 18 August, reflecting the venue's commitment to making its programme available to the widest possible audience.

Why It Matters

The success of this production matters beyond the immediate pleasure it brings to audiences. Cork has sometimes felt overshadowed by Dublin in the national cultural conversation, and a five-star production at the Opera House is a reminder that the city's cultural infrastructure is capable of delivering work of the highest quality. The 170th anniversary season is an opportunity for the venue to reassert its place in the national cultural landscape, and this production makes a compelling case.

For the performers involved β€” many of them Irish β€” the production also represents a significant professional opportunity. The Sound of Music is one of the most demanding shows in the musical theatre canon, and a successful run at a venue of the Cork Opera House's standing carries real weight on a CV. The production's critical success is likely to generate interest from other venues and touring producers.

Unlike many summer productions that play it safe with familiar material, this staging has been praised for its willingness to engage seriously with the show's darker historical dimensions, treating its Nazi-era setting with the gravity it deserves rather than glossing over it in favour of the more comfortable elements of the story.

Local Impact

The production is drawing audiences from across Munster and beyond, with strong bookings from Cork city and county, Kerry, Limerick, and Tipperary. The Cork Opera House sits at the heart of the city's cultural quarter on Emmet Place, and a successful summer production generates significant footfall for the surrounding restaurants, bars, and hotels. The venue's box office has reported that advance bookings for the remaining weeks of the run are strong, suggesting that the production will play to near-capacity houses throughout August.

What's Next

The Sound of Music runs at the Cork Opera House until 23 August 2026. Following the close of the run, the venue's autumn season will be announced, with the 170th anniversary programme expected to continue with further ambitious productions. Tickets remain available through the Cork Opera House box office.

Conor Brennan

Senior Editor

Conor Brennan is a Belfast-based journalist with over a decade of experience covering politics, business, and current affairs across the UK and Ireland. He specialises in making complex stories accessible and relevant to everyday readers.

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